Inner Strength
‘Inner Strength’ is a beautiful Original Indian ink painting from artist Rod McIntosh.
Price: £1650
Original
‘Inner Strength’ is an original Indian ink painting with charcoal dust and 24ct gold leaf on Chinese mulberry paper mounted with rice starch paste to Fabriano cartridge (120gsm) on canvas.
It is presented in a white wooden tray frame.
2017
105x105cm
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Passages Of A Journey 11
‘PASSAGES OF A JOURNEY 11’ IS AN ORIGINAL BY ABSTRACT ARTIST, ROD MCINTOSH
Price: £500
Original
Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, charcoal paste, resin coated
2018
30cm Diameter
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Passages Of A Journey 10
‘PASSAGES OF A JOURNEY 10’ IS AN ORIGINAL BY ABSTRACT ARTIST, ROD MCINTOSH
Price: £500
Original
Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, charcoal paste, resin coated
2018
30cm Diameter
Enquire
Passages Of A Journey 5
‘PASSAGES OF A JOURNEY 5’ IS AN ORIGINAL BY ABSTRACT ARTIST, ROD MCINTOSH
SOLD
Original
Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, charcoal paste, resin coated
2018
30cm Diameter
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The Space Between
‘THE SPACE BETWEEN’ IS AN ORIGINAL TWO TONDO PIECE BY ABSTRACT ARTIST, ROD MCINTOSH
Price: SOLD
Original
Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, gesso and copper leaf, resin coated
2018
120cm Diameter
Enquire
Passages Of A Journey 7
‘PASSAGES OF A JOURNEY 7’ IS A STUNNING ORIGINAL BY ARTIST, ROD MCINTOSH
SOLD
Original
Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, charcoal paste, resin coated
2018
30cm diameter
Enquire
Holding the Moment II
A stunning original work by Rod McIntosh
Price: £2400
Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, charcoal paste, gesso, matt varnish and 24 carat gold leaf on bole.
From Rod McIntosh’s ‘Eccentric Moments’ Series.
Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.
“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”
80cm Diameter
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Holding the Moment I
A stunning original work by Rod McIntosh
Price: £2400
Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, charcoal paste, gesso, matt varnish and 24 carat gold leaf on bole.
From Rod McIntosh’s ‘Eccentric Moments’ Series.
Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.
“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”
80cm Diameter
Enquire
Togetherness
A stunning original work by Rod McIntosh
Price: £3600
Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, gesso, matt varnish.
From Rod McIntosh’s ‘Eccentric Moments’ Series.
Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.
“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”
100cm Diameter
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Present Ground
A stunning original work by Rod McIntosh
Price: £3600
Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, gesso, matt varnish and 24 carat gold leaf on bole.
From Rod McIntosh’s ‘Eccentric Moments’ Series.
Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.
“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”
100cm Diameter
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Never Alone
A stunning original work by Rod McIntosh
Price: SOLD
Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, gesso, matt varnish and 24 carat gold leaf on bole.
From Rod McIntosh’s ‘Eccentric Moments’ Series.
Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.
“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”
100cm Diameter
Enquire
Held Within
A stunning original work by Rod McIntosh
Price: £4800
Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, charcoal paste, gesso, matt varnish and 24 carat gold leaf on bole.
From Rod McIntosh’s ‘Eccentric Moments’ Series.
Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.
“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”
120cm Diameter
Enquire
The Space Between Ourselves
A stunning original work by Rod McIntosh
Price: £4800
Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, charcoal paste, gesso, matt varnish and 24 carat gold leaf on bole.
From Rod McIntosh’s ‘Eccentric Moments’ Series.
Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.
“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”
120cm Diameter
Enquire
Open to the Void
A stunning original work by Rod McIntosh
Price: £4800
Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, gesso, matt varnish and 24 carat gold leaf on bole.
From Rod McIntosh’s ‘Eccentric Moments’ Series.
Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.
“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”
120cm Diameter
Enquire
Towards Touching
A stunning original work by Rod McIntosh
Price: £4800
Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, gesso, matt varnish and 24 carat gold leaf on bole.
From Rod McIntosh’s ‘Eccentric Moments’ Series.
Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.
“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”
120cm Diameter
Enquire
Bliss
A stunning original work by Rod McIntosh
Price: £4000
Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, gesso, matt varnish and 24 carat gold leaf on bole.
From Rod McIntosh’s ‘Eccentric Moments’ Series.
Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.
“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”
100cm Diameter
Enquire
Gilded Moment 14
A stunning original work by Rod McIntosh
Price: SOLD
Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, bole, 24 carat gold leaf resin coated.
Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.
“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”
40cm Diameter
Enquire
Gilded Moment 13
A stunning original work by Rod McIntosh
Price: SOLD
Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, bole, 24 carat gold leaf resin coated.
Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.
“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”
40cm Diameter
Enquire
Gilded Moment 12
A stunning original work by Rod McIntosh
Price: SOLD
Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, bole, 24 carat gold leaf resin coated.
Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.
“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”
40cm Diameter
Enquire
Gilded Moment 11
A stunning original work by Rod McIntosh
Price: SOLD
Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, bole, 24 carat gold leaf resin coated.
Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.
“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”
40cm Diameter
Enquire
Gilded Moment 10
A stunning original work by Rod McIntosh
Price: SOLD
Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, bole, 24 carat gold leaf resin coated.
Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.
“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”
40cm Diameter
Enquire
Gilded Moment 9
A stunning original work by Rod McIntosh
Price: SOLD
Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, bole, 24 carat gold leaf resin coated.
Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.
“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”
40cm Diameter
Enquire
Gilded Moment 8
A stunning original work by Rod McIntosh
Price: SOLD
Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, bole, 24 carat gold leaf resin coated.
Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.
“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”
40cm Diameter
Enquire
At A Glance
A stunning original work by Rod McIntosh
Price: SOLD
Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, gesso and copper leaf, resin coated.
This work is from Rod McIntosh’s ‘Eccentric Moments’ Series that explores the form of an ellipse: an off-centre/eccentric circle that is created with a more fluid and dynamic brush stroke, often a mix of speed and weight on the paper, giving a difference in the mark the brush makes. This series works with the tension between a rehearsed, planned and intended mark (the ellipse) and the unplanned, unintentional drips of ink from the laden brush. The notions of the perfect and imperfect, being present and the parts either side of the moment, and bringing beauty and attention to this.
Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.
“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”
120cm Diameter
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The Space Between
A stunning original work by Rod McIntosh
Price: SOLD
Ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) gesso and 24 carat gold leaf on birch panel, bees wax polished edges.
This work is from Rod McIntosh’s ‘Eccentric Moments’ Series that explores the form of an ellipse: an off-centre/eccentric circle that is created with a more fluid and dynamic brush stroke, often a mix of speed and weight on the paper, giving a difference in the mark the brush makes. This series works with the tension between a rehearsed, planned and intended mark (the ellipse) and the unplanned, unintentional drips of ink from the laden brush. The notions of the perfect and imperfect, being present and the parts either side of the moment, and bringing beauty and attention to this.
Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.
“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”
90cm Diameter
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Passing Through
A stunning original work by Rod McIntosh
Price: SOLD
Ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) gesso and 24 carat gold leaf on birch panel, bees wax polished edges.
This work is from Rod McIntosh’s ‘Eccentric Moments’ Series that explores the form of an ellipse: an off-centre/eccentric circle that is created with a more fluid and dynamic brush stroke, often a mix of speed and weight on the paper, giving a difference in the mark the brush makes. This series works with the tension between a rehearsed, planned and intended mark (the ellipse) and the unplanned, unintentional drips of ink from the laden brush. The notions of the perfect and imperfect, being present and the parts either side of the moment, and bringing beauty and attention to this.
Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.
“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”
110cm Diameter
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On The Cusp
A stunning original work by Rod McIntosh
Price: SOLD
Ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) gesso and 24 carat gold leaf on birch panel, bees wax polished edges.
This work is from Rod McIntosh’s ‘Eccentric Moments’ Series that explores the form of an ellipse: an off-centre/eccentric circle that is created with a more fluid and dynamic brush stroke, often a mix of speed and weight on the paper, giving a difference in the mark the brush makes. This series works with the tension between a rehearsed, planned and intended mark (the ellipse) and the unplanned, unintentional drips of ink from the laden brush. The notions of the perfect and imperfect, being present and the parts either side of the moment, and bringing beauty and attention to this.
Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.
“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”
110cm Diameter
Enquire
It Will Pass
A stunning original work by Rod McIntosh
Price: SOLD
Ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) gesso and 24 carat gold leaf on birch panel, bees wax polished edges.
This work is from Rod McIntosh’s ‘Eccentric Moments’ Series that explores the form of an ellipse: an off-centre/eccentric circle that is created with a more fluid and dynamic brush stroke, often a mix of speed and weight on the paper, giving a difference in the mark the brush makes. This series works with the tension between a rehearsed, planned and intended mark (the ellipse) and the unplanned, unintentional drips of ink from the laden brush. The notions of the perfect and imperfect, being present and the parts either side of the moment, and bringing beauty and attention to this.
Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.
“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”
50cm Diameter
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Held
A stunning original work by Rod McIntosh
Price: SOLD
Ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) gesso and 24 carat gold leaf on birch panel, bees wax polished edges.
This work is from Rod McIntosh’s ‘Eccentric Moments’ Series that explores the form of an ellipse: an off-centre/eccentric circle that is created with a more fluid and dynamic brush stroke, often a mix of speed and weight on the paper, giving a difference in the mark the brush makes. This series works with the tension between a rehearsed, planned and intended mark (the ellipse) and the unplanned, unintentional drips of ink from the laden brush. The notions of the perfect and imperfect, being present and the parts either side of the moment, and bringing beauty and attention to this.
Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.
“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”
90cm Diameter
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Either Side
A stunning original work by Rod McIntosh
Price: SOLD
Ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) gesso and 24 carat gold leaf on birch panel, bees wax polished edges.
This work is from Rod McIntosh’s ‘Eccentric Moments’ Series that explores the form of an ellipse: an off-centre/eccentric circle that is created with a more fluid and dynamic brush stroke, often a mix of speed and weight on the paper, giving a difference in the mark the brush makes. This series works with the tension between a rehearsed, planned and intended mark (the ellipse) and the unplanned, unintentional drips of ink from the laden brush. The notions of the perfect and imperfect, being present and the parts either side of the moment, and bringing beauty and attention to this.
Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.
“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”
90cm Diameter
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Connected
A stunning original work by Rod McIntosh
Price: SOLD
Ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) gesso on birch panel. Framed.
Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.
“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”
120cm Diameter
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Complete
A stunning original work by Rod McIntosh
Price: SOLD
Ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) gesso, copper leaf, and resin coated on birch panel.
This work has copper leaf around the edge to produce a reflected orange light, like a halo.
Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.
“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”
120cm Diameter
Enquire
The Moment Before vi.
‘The Moment Before vi.’ is a beautiful Original Indian ink painting from artist Rod McIntosh.
SOLD
Original
‘The Moment Before vi.’ is an original Indian ink painting with 24ct gold leaf on Chinese mulberry paper mounted with rice starch paste to Fabriano cartridge (120gsm).
The piece is framed in a black stained wood.
2017
64.5x64.5cm
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The Moment Before v.
‘The Moment Before v.’ is a beautiful Original Indian ink painting from artist Rod McIntosh.
SOLD
Original
‘The Moment Before v.’ is an original Indian ink painting with 24ct gold leaf on Chinese mulberry paper mounted with rice starch paste to Fabriano cartridge (120gsm).
The piece is framed in a black stained wood.
2017
64.5x64.5cm
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Crown
‘Crown’ is a beautiful Original Indian ink painting from artist Rod McIntosh.
Price: £1650
Original
‘Crown’ is an original Indian ink painting with charcoal dust and 24ct gold leaf on Chinese mulberry paper mounted with rice starch paste to Fabriano cartridge (120gsm) on canvas.
It is presented in a white wooden tray frame.
2017
105x105cm
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Hold It Tight
‘Hold It Tight’ is a beautiful Original Indian ink painting from artist Rod McIntosh.
Price: £1650
Original
‘Hold It Tight’ is an original Indian ink painting with charcoal dust and 24ct gold leaf on Chinese mulberry paper mounted with rice starch paste to Fabriano cartridge (120gsm) on canvas.
It is presented in a white wooden tray frame.
2017
105x105cm
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Close Enough
‘Close Enough’ is a stunning Original ink painting from artist Rod McIntosh.
Price: £2200
Original
‘Close Enough’ is an original ink painting on Chinese mulberry paper mounted with rice starch paste to Fabriano cartridge (120gsm) stretched on board.
The work has then been gilded with copper leaf before being resin glazed.
2016
80cm Diameter
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Safe Within
‘Safe Within’ is an Original Indian ink painting from artist Rod McIntosh.
Price: £1500
Original
‘Safe Within’ is an original Indian ink painting with charcoal dust on Chinese mulberry paper mounted with rice starch paste to Fabriano cartridge (120gsm) on canvas.
2017
105x105cm
Enquire
Pucker Up
‘Pucker Up’ is an Original Indian ink painting from artist Rod McIntosh.
Price: £2900
Original
‘Pucker Up’ is an original Indian ink painting with charcoal dust on Chinese mulberry paper mounted with rice starch paste to Fabriano cartridge (120gsm) on canvas.
It is presented in a black stained wooden tray frame.
2017
185x105cm
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Sense of Place
‘Sense Of Place’ is a stunning Original ink painting which is part of the ‘Tondo’ series from artist Rod McIntosh.
SOLD
Original
‘Sense Of Place’ is an original ink painting on Chinese mulberry paper mounted with rice starch paste to Fabriano cartridge (120gsm) stretched on board.
The work has then been gilded with copper leaf before being resin glazed.
2017
40cm Diameter
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Tear
‘Tear’ is a stunning Original ink painting which is part of the ‘Tondo’ series from artist Rod McIntosh.
Price: £650
Original
‘Tear’ is an original ink painting on Chinese mulberry paper mounted with rice starch paste to Fabriano cartridge (120gsm) stretched on board.
The work has then been gilded with copper leaf before being resin glazed.
2017
40cm Diameter
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Concrete & Coral
‘Concrete & Coral’ is a stunning Original ink painting which is part of the ‘Tondo’ series from artist Rod McIntosh.
SOLD
Original
‘Concrete & Coral’ is an original ink painting on Chinese mulberry paper mounted with rice starch paste to Fabriano cartridge (120gsm) stretched on board.
The work has then been gilded with copper leaf before being resin glazed.
2017
40cm Diameter
Enquire
Mark Your Ground
‘Mark Your Ground’ is a stunning Original ink painting which is part of the ‘Tondo’ series from artist Rod McIntosh.
SOLD
Original
‘Mark Your Ground’ is an original ink painting on Chinese mulberry paper mounted with rice starch paste to Fabriano cartridge (120gsm) stretched on board.
The work has then been gilded with copper leaf before being resin glazed.
2016
40cm Diameter
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Absence
‘Absence’ is a stunning Original ink painting which is part of the ‘Tondo’ series from artist Rod McIntosh.
SOLD
Original
‘Absence’ is an original ink painting on Chinese mulberry paper mounted with rice starch paste to Fabriano cartridge (120gsm) stretched on board.
The work has then been gilded with copper leaf before being resin glazed.
2017
40cm Diameter
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Bond
‘Bond’ is a stunning Original ink painting which is part of the ‘Tondo’ series from artist Rod McIntosh.
SOLD
Original
‘Bond’ is an original ink painting on Chinese mulberry paper mounted with rice starch paste to Fabriano cartridge (120gsm) stretched on board.
The work has then been gilded with copper leaf before being resin glazed.
2017
40cm Diameter
Enquire
Rift
‘Rift’ is a stunning Original ink painting which is part of the ‘Tondo’ series from artist Rod McIntosh.
SOLD
Original
‘Rift’ is an original ink painting on Chinese mulberry paper mounted with rice starch paste to Fabriano cartridge (120gsm) stretched on board.
The work has then been gilded with copper leaf before being resin glazed.
2017
40cm Diameter
Enquire
A Comma Never a Full Stop
‘A Comma Never a Full Stop’ is a stunning Original ink painting which is part of the ‘Tondo’ series from artist Rod McIntosh.
SOLD
Original
‘A Comma Never a Full Stop’ is an original ink painting on Chinese mulberry paper mounted with rice starch paste to Fabriano cartridge (120gsm) stretched on board.
The work has then been gilded with copper leaf before being resin glazed.
2017
40cm Diameter
Enquire
Insula
‘Insula’ is a stunning Original ink painting which is part of the ‘Tondo’ series from artist Rod McIntosh.
SOLD
Original
‘Insula’ is an original ink painting on Chinese mulberry paper mounted with rice starch paste to Fabriano cartridge (120gsm) and stretched on board.
The work has then been gilded with copper leaf before being resin glazed.
2017
40cm diameter
Enquire