Emma Hack is a highly acclaimed Australian artist whose works in the medium of body paint installation and photography have captured the attention of art collectors and lovers around the world.

Emma Hack, Artist, has gained worldwide attention also for her Motor Accident Commission, where she built a sculpture of 17 bodies arranged as a crashed car. She was also commissioned by the WA Ballet for their upcoming program imagery. Emma Hack’s mural ‘Madame Hanoi’ at Nic Watt’s restaurant in Adelaide is currently the largest body art mural in the world standing at 8m and is a particularly memorable work for Emma Hack.

Emma Hack is well known also for her work in the music video for Grammy Award winning musician, Gotye’s “Somebody That I Used To Know”, she painted the set and vocalists. The shoot was for 23 hours straight using photography and stop motion to create the video which has been viewed by over 800 million people worldwide.

Emma Hack works predominantly with body paint installation and photography, using her paintbrush to merge people seamlessly with the background so they become camouflaged like a chameleon. Emma Hack states that “the human is secondary to the work; the human is blended allowing nature to stand first.” She draws inspiration from around the world, from Australian flora and fauna to Oriental influences.

Emma Hack is a pioneer in the artform of body painting, beginning in 1990 and exhibiting since 1999. Emma Hack’s expression of creating on the human form has evolved over the years into a photographic installation work.

Emma Hack’s focus on nature in her works spring from her childhood in South Australia; surrounded by green fields contrasted with the desert she had a constant access to the diversity of the natural world.

“I am always influenced by my journeys and travels, body art is the oldest artform in the world, it’s interesting to explore this within my creations.”

Emma Hack Wallpaper Series (2005-2010) encapsulates this idea, where people painted with animals and birds blend into the ornate wallpaper backgrounds by Florence Broadhurst with such magic realism that one has to double take to realise the living canvas.

Emma Hack now paints her own backgrounds to compliment the artworks and takes her own photography.

“I love illusion, the human is ‘at one’ within their background, it’s a discussion of sense of self and looking after the environment and the beauty within it.”

A limited edition photograph of Emma Hack’s installation work with body paint.

Emma Hack follows her theme of flora and fauna to camouflage the human body with realistic paintings of flowers merging into the background behind.

Emma Hack draws inspiration from around the world, from Australian flora and fauna to Oriental influences.

“You can feel my work, it’s not just aesthetically lovely, it has a meaning, is beautifully executed and presented.”

This piece is from Emma Hack’s Collection ‘Chinoiserie’.

Available in four sizes.

1/1 – An edition of 1
Size 155x110cm
Price £8200

Special Edition – An edition of 3
Size 145x103cm
Price £5500

Large – An Edition of 10
Size 125x90cm
Price £4500

Small – An Edition of 1o
Size 85x63cm
Price £3500

2016

Digital Print

‘Normal Is The Cruelest Of Insults’ is a Limited Edition Pigment print with silkscreen varnish by contemporary artists The Connor Brothers.

Size: 50x70cm

Price: POA

A beautifully witty mixed media piece of art.

‘Normal Is The Cruelest Of Insults’ is signed & numbered by the artist & comes from an edition of 35.

‘Everything I’ve Ever Let Go Of Has Claw Marks On It’ is a beautifully witty mixed media piece of art by contemporary artists The Connor Brothers.

Hand painted vintage paperback, with silkscreen print on a 1924 Pulp Fiction book.

Size: 20.5x27cm

Price: SOLD

This piece is signed & numbered by the artist & comes from an edition of 2 with 2 Artist Proofs.

‘What Matters In Life’ is a beautifully witty mixed media piece of art by contemporary artists The Connor Brothers.

Hand painted vintage paperback, with silkscreen print on a 1924 Pulp Fiction book.

Size: 20.5x27cm

Price: SOLD

This piece is signed & numbered by the artist & comes from an edition of 2 with 2 Artist Proofs.

‘Those Who Laugh Last Think Slowest’ is a beautifully witty mixed media piece of art by contemporary artists The Connor Brothers.

Hand painted vintage paperback, with silkscreen print on a 1924 Pulp Fiction book.

Size: 20.5x27cm

Price: SOLD

This piece is signed & numbered by the artist & comes from an edition of 2 with 2 Artist Proofs.

‘There Was Just Too Much Inside Her’ is a beautifully witty mixed media piece of art by contemporary artists The Connor Brothers.

Hand painted vintage paperback, with silkscreen print on a 1924 Pulp Fiction book.

Size: 20.5x27cm

Price: £1100

This piece is signed & numbered by the artist & comes from an edition of 2 with 2 Artist Proofs.

‘The Truth Will Set You Free’ is a beautifully witty mixed media piece of art by contemporary artists The Connor Brothers.

Hand painted vintage paperback, with silkscreen print on a 1924 Pulp Fiction book.

Size: 20.5x27cm

Price: £1100

This piece is signed & numbered by the artist & comes from an edition of 2 with 2 Artist Proofs.

‘Sunday’ is an original mixed media painting on acrylic glass by contemporary artist, Jake Oliver Fishman.

Ink, Pigment & Acrylic Lacquer on Acrylic Glass

Size: 75x75cm
Price: £2250 unframed | £2600 framed

This piece of art is produced using black ink, white pigment, and clear carrier liquids. These transport the inks across the acrylic glass, creating a landscape where hills and troughs dictate flow of the inks. The paintings are built up in thin layers. Each time the glass being subtly adjusted to dictate the direction of flow. As well as inks being gradually layered on top of the painting, they are injected beneath the surface, giving them ever greater depth.

‘A straw is my paintbrush’ – Jake Oliver Fishman

‘We Wish’ is an original mixed media painting on acrylic glass by contemporary artist, Jake Oliver Fishman.

Ink, Pigment & Acrylic Lacquer on Acrylic Glass

Size: 75cm diameter
Price: £2250 unframed | £2600 framed

This piece of art is produced using black ink, white pigment, and clear carrier liquids. These transport the inks across the acrylic glass, creating a landscape where hills and troughs dictate flow of the inks. The paintings are built up in thin layers. Each time the glass being subtly adjusted to dictate the direction of flow. As well as inks being gradually layered on top of the painting, they are injected beneath the surface, giving them ever greater depth.

‘A straw is my paintbrush’ – Jake Oliver Fishman

‘Today III’ is an original mixed media painting on acrylic glass by contemporary artist, Jake Oliver Fishman.

Ink, Pigment & Acrylic Lacquer on Acrylic Glass

Size: 60cm diameter
Price: £1450 unframed | £1795 framed

This piece of art is produced using black ink, white pigment, and clear carrier liquids. These transport the inks across the acrylic glass, creating a landscape where hills and troughs dictate flow of the inks. The paintings are built up in thin layers. Each time the glass being subtly adjusted to dictate the direction of flow. As well as inks being gradually layered on top of the painting, they are injected beneath the surface, giving them ever greater depth.

‘A straw is my paintbrush’ – Jake Oliver Fishman

‘Drop’ is an original mixed media painting on acrylic glass by contemporary artist, Jake Oliver Fishman.

Ink, Pigment & Acrylic Lacquer on Acrylic Glass

Size: 100x100cm
Price: £3250 unframed | £3675 framed

This piece of art is produced using black ink, white pigment, and clear carrier liquids. These transport the inks across the acrylic glass, creating a landscape where hills and troughs dictate flow of the inks. The paintings are built up in thin layers. Each time the glass being subtly adjusted to dictate the direction of flow. As well as inks being gradually layered on top of the painting, they are injected beneath the surface, giving them ever greater depth.

‘A straw is my paintbrush’ – Jake Oliver Fishman

‘Descent’ is an original mixed media painting on acrylic glass by contemporary artist, Jake Oliver Fishman.

Ink, Pigment & Acrylic Lacquer on Acrylic Glass

Size: 90x50cm
Price: £1450 unframed | £1775 framed

This piece of art is produced using black ink, white pigment, and clear carrier liquids. These transport the inks across the acrylic glass, creating a landscape where hills and troughs dictate flow of the inks. The paintings are built up in thin layers. Each time the glass being subtly adjusted to dictate the direction of flow. As well as inks being gradually layered on top of the painting, they are injected beneath the surface, giving them ever greater depth.

‘A straw is my paintbrush’ – Jake Oliver Fishman

‘The Delivery’ is an original mixed media painting on acrylic glass by contemporary artist, Jake Oliver Fishman.

Ink, Pigment & Acrylic Lacquer on Acrylic Glass

Size: 55x55cm
Price: £1450 unframed | £1750 framed

This piece of art is produced using black ink, white pigment, and clear carrier liquids. These transport the inks across the acrylic glass, creating a landscape where hills and troughs dictate flow of the inks. The paintings are built up in thin layers. Each time the glass being subtly adjusted to dictate the direction of flow. As well as inks being gradually layered on top of the painting, they are injected beneath the surface, giving them ever greater depth.

‘A straw is my paintbrush’ – Jake Oliver Fishman

‘Always’ is an original mixed media painting on acrylic glass by contemporary artist, Jake Oliver Fishman.

Ink, Pigment & Acrylic Lacquer on Acrylic Glass

Size: 100cm diameter
Price: £2500 unframed | £3000 framed

This piece of art is produced using black ink, white pigment, and clear carrier liquids. These transport the inks across the acrylic glass, creating a landscape where hills and troughs dictate flow of the inks. The paintings are built up in thin layers. Each time the glass being subtly adjusted to dictate the direction of flow. As well as inks being gradually layered on top of the painting, they are injected beneath the surface, giving them ever greater depth.

‘A straw is my paintbrush’ – Jake Oliver Fishman

‘Reach Out’ is an original mixed media painting on acrylic glass by contemporary artist, Jake Oliver Fishman.

Ink, Pigment & Acrylic Lacquer on Acrylic Glass

Size: 117x80cm
Price: £2450 unframed | £2800 framed

This piece of art is produced using black ink, white pigment, and clear carrier liquids. These transport the inks across the acrylic glass, creating a landscape where hills and troughs dictate flow of the inks. The paintings are built up in thin layers. Each time the glass being subtly adjusted to dictate the direction of flow. As well as inks being gradually layered on top of the painting, they are injected beneath the surface, giving them ever greater depth.

‘A straw is my paintbrush’ – Jake Oliver Fishman

‘Breath’ is an original mixed media painting on acrylic glass by contemporary artist, Jake Oliver Fishman.

Ink, Pigment & Acrylic Lacquer on Acrylic Glass

Size: 75x75cm
Price: £1750 unframed | £2025 framed

This piece of art is produced using black ink, white pigment, and clear carrier liquids. These transport the inks across the acrylic glass, creating a landscape where hills and troughs dictate flow of the inks. The paintings are built up in thin layers. Each time the glass being subtly adjusted to dictate the direction of flow. As well as inks being gradually layered on top of the painting, they are injected beneath the surface, giving them ever greater depth.

‘A straw is my paintbrush’ – Jake Oliver Fishman

‘This Is Where’ is an original mixed media painting on acrylic glass by contemporary artist, Jake Oliver Fishman.

Ink, Pigment & Acrylic Lacquer on Acrylic Glass

Size: 80x60cm
Price: £1400 unframed | £1700 framed

This piece of art is produced using black ink, white pigment, and clear carrier liquids. These transport the inks across the acrylic glass, creating a landscape where hills and troughs dictate flow of the inks. The paintings are built up in thin layers. Each time the glass being subtly adjusted to dictate the direction of flow. As well as inks being gradually layered on top of the painting, they are injected beneath the surface, giving them ever greater depth.

‘A straw is my paintbrush’ – Jake Oliver Fishman

An Original Painting by David Shillinglaw

Mixed Paints on Canvas

Size: 161x172cm

Price: POA

“The artwork is colourful and playful, deliberately humorous and at times ridiculous. Somewhere between ancient hieroglyphics and comic books or board games, the works present a kind of human portrait; not obviously male or female, old or young, the figures resemble totems, statues, chess pieces or key holes. There is just enough information to suggest the Human figure, the characters come to represent The Everyone or The Nobody. A painting takes on its own personality, it becomes more than the sum of its parts. Like a Frankenstein’s monster it wakes up, it speaks for itself, it answers back.” – David Shillinglaw

An Original Painting by David Shillinglaw

Mixed Paints and Collage on Canvas

Size: 75x75cm

Price: POA

“The artwork is colourful and playful, deliberately humorous and at times ridiculous. Somewhere between ancient hieroglyphics and comic books or board games, the works present a kind of human portrait; not obviously male or female, old or young, the figures resemble totems, statues, chess pieces or key holes. There is just enough information to suggest the Human figure, the characters come to represent The Everyone or The Nobody. A painting takes on its own personality, it becomes more than the sum of its parts. Like a Frankenstein’s monster it wakes up, it speaks for itself, it answers back.” – David Shillinglaw

An Original Painting by David Shillinglaw

Paint on a Recycled Cardboard Box

Size: 131x121cm

Price: POA

“The artwork is colourful and playful, deliberately humorous and at times ridiculous. Somewhere between ancient hieroglyphics and comic books or board games, the works present a kind of human portrait; not obviously male or female, old or young, the figures resemble totems, statues, chess pieces or key holes. There is just enough information to suggest the Human figure, the characters come to represent The Everyone or The Nobody. A painting takes on its own personality, it becomes more than the sum of its parts. Like a Frankenstein’s monster it wakes up, it speaks for itself, it answers back.” – David Shillinglaw

An Original Painting by David Shillinglaw

Ink on Paper

2018

Size: 25x25cm

Price: POA

“I am fascinated with abstraction, and the spectrum of visual representation. I am challenged and excited to find discover ways of describing things that don’t have words for. To conjure an environment, behaviour and a set of conditions. Drawing is at the root of all the work, starting in my sketchbooks and on pieces of paper. The drawings spill out in the studio onto other materials, found or manufactured. These fragments inform each other and create a set of visual phrases, competing for attention until the whole thing ‘hums’. As with a piece of music, the tune is composed with separate instruments, but you hear it as one finished piece. For me, drawing, painting and collage are problem-solving exercises, and I want to share that experience with the viewer. I want to discover something but I don’t want to spell it out; I don’t want to explain the joke; I want you to read between the lines of a poem that has no full stops. I am often overwhelmed by the frenzy of visual information we are exposed to everyday, this abundance of real and virtual material is a catalyst for confusion. My practice attempts to play with and describe the hyperactive flux I feel is a normal part of everyday life.” – David Shillinglaw

An Original Drawing by David Shillinglaw

Pen and Ink on Paper

2017

Size: 29x42cm

Price: POA

“I am fascinated with abstraction, and the spectrum of visual representation. I am challenged and excited to find discover ways of describing things that don’t have words for. To conjure an environment, behaviour and a set of conditions. Drawing is at the root of all the work, starting in my sketchbooks and on pieces of paper. The drawings spill out in the studio onto other materials, found or manufactured. These fragments inform each other and create a set of visual phrases, competing for attention until the whole thing ‘hums’. As with a piece of music, the tune is composed with separate instruments, but you hear it as one finished piece. For me, drawing, painting and collage are problem-solving exercises, and I want to share that experience with the viewer. I want to discover something but I don’t want to spell it out; I don’t want to explain the joke; I want you to read between the lines of a poem that has no full stops. I am often overwhelmed by the frenzy of visual information we are exposed to everyday, this abundance of real and virtual material is a catalyst for confusion. My practice attempts to play with and describe the hyperactive flux I feel is a normal part of everyday life.” – David Shillinglaw

A Limited Edition Screen Print by David Shillinglaw

2 Colour Screen Print on Somerset Satin 300gsm Paper

Size: 50x70cm

Price: £175

“I am fascinated with abstraction, and the spectrum of visual representation. I am challenged and excited to find discover ways of describing things that don’t have words for. To conjure an environment, behaviour and a set of conditions. Drawing is at the root of all the work, starting in my sketchbooks and on pieces of paper. The drawings spill out in the studio onto other materials, found or manufactured. These fragments inform each other and create a set of visual phrases, competing for attention until the whole thing ‘hums’. As with a piece of music, the tune is composed with separate instruments, but you hear it as one finished piece. For me, drawing, painting and collage are problem-solving exercises, and I want to share that experience with the viewer. I want to discover something but I don’t want to spell it out; I don’t want to explain the joke; I want you to read between the lines of a poem that has no full stops. I am often overwhelmed by the frenzy of visual information we are exposed to everyday, this abundance of real and virtual material is a catalyst for confusion. My practice attempts to play with and describe the hyperactive flux I feel is a normal part of everyday life.” – David Shillinglaw

‘Marks The Sky’ is a stunning original oil painting by abstract artist Sam Lock.

Size: 150x120cm

Price: £8000

Oil and Mixed Media on Canvas

‘Of Empty Greens’ is a stunning original oil painting by abstract artist Sam Lock.

Size: 30x30cm

Price: £2500

Oil and Mixed Media on Canvas

‘No Place Or Time’ is a stunning original oil painting by abstract artist Sam Lock.

Size: 30x30cm

Price: £2500

Oil and Mixed Media on Canvas

‘The Night Drowns’ is a stunning original oil painting by abstract artist Sam Lock.

Size: 30x30cm

Price: £2500

Oil and Mixed Media on Canvas

‘Feathers In The Rain’ is a stunning original oil painting by abstract artist Sam Lock.

Size: 30x30cm

Price: £2500

Oil and Mixed Media on Canvas

‘Always In Quiet’ is a stunning original oil painting by abstract artist Sam Lock.

Size: 30x30cm

Price: £2500

Oil and Mixed Media on Canvas

‘And The Dream’ is a stunning original oil painting by abstract artist Sam Lock.

Size: 30x30cm

Price: £2500

Oil and Mixed Media on Canvas

‘The Road And On’ is a stunning original oil painting by abstract artist Sam Lock.

Size: 70x70cm

Price: £4200

Oil and Mixed Media on Canvas

‘From The Start’ is a stunning original oil painting by abstract artist Sam Lock.

Size: 70x70cm

Price: £4200

Oil and Mixed Media on Canvas

‘Darkness Spreads Blue’ is a stunning original oil painting by abstract artist Sam Lock.

Size: 100x100cm

Price: £6000

Oil and Mixed Media on Canvas

‘All Things Flowing’ is a stunning original oil painting by abstract artist Sam Lock.

Size: 100x100cm

Price: £6000

Oil and Mixed Media on Canvas

‘By The River’ is a stunning original oil painting by abstract artist Sam Lock.

Size: 100x100cm

Price: £6000

Oil and Mixed Media on Canvas

‘Light Is Borrowed’ is a stunning original oil painting by abstract artist Sam Lock.

Size: 100x100cm

Price: £6000

Oil and Mixed Media on Canvas

‘Sky Threads Itself’ is a stunning original oil painting by abstract artist Sam Lock.

Size: 100x100cm

Price: £6000

Oil and Mixed Media on Canvas

‘The Triangle Shadows’ is a stunning original oil painting by abstract artist Sam Lock.

Size: 100x100cm

Price: £6000

Oil and Mixed Media on Canvas

‘Clear Light’ is a stunning original oil painting by abstract artist Sam Lock.

Size: 100x100cm

Price: £6000

Oil and Mixed Media on Canvas

‘The Fluent Air’ is a stunning original oil painting by abstract artist Sam Lock.

Size: 120x120cm

Price: £7000

Oil and Mixed Media on Canvas

‘Blue Corner’ is a stunning original oil painting by abstract artist Sam Lock.

Size: 120x120cm

Price: £7000

Oil and Mixed Media on Canvas

‘Blue Half’ is a stunning original oil painting by abstract artist Sam Lock.

Size: 120x120cm

Price: £7000

Oil and Mixed Media on Canvas

‘Wake The Sea’ is a stunning original oil painting by abstract artist Sam Lock.

Size: 150x120cm

Price: £8500

Oil and Mixed Media on Canvas

‘Construction II’ is a stunning original oil painting by abstract artist Sam Lock.

Size: 43x50cm (framed)

Price: £1600

Oil and Mixed Media on Paper

‘Construction I’ is a stunning original oil painting by abstract artist Sam Lock.

Size: 43x50cm (framed)

Price: £1600

Oil and Mixed Media on Paper

‘And Turns Away’ is a stunning original oil painting by abstract artist Sam Lock.

Size: 43x50cm (framed)

Price: £1600

Oil and Mixed Media on Paper

‘Hoisted White Clouds’ is a stunning original oil painting by abstract artist Sam Lock.

Size: 43x50cm (framed)

Price: £1600

Oil and Mixed Media on Paper

‘On The Wing’ is a stunning original oil painting by abstract artist Sam Lock.

Size: 43x50cm (framed)

Price: £1600

Oil and Mixed Media on Paper

‘Without Stop’ is a stunning original oil painting by abstract artist Sam Lock.

Size: 43x50cm (framed)

Price: £1600

Oil and Mixed Media on Paper

‘You Don’t Find Light By Avoiding Darkness’ is a brand new Limited Edition print by Magnus Gjoen.

2019

Size: 100x48cm/175x80cm

Price: £995/£1995

Limited Edition Print with Archival Pigment Inks on Cotton Rag Paper.

This limited edition print is available in two sizes: the first edition is 100x48cm and is an edition of 25. The second is 175x80cm and is an edition of 80.

Magnus Gjoen, former designer for Vivienne Westwood, creates images that are full beauty but also thought provoking. His art explores the interaction between power and fragility, juxtaposing the two states for maximum conceptual effect. Magnus Gjoen’s work blends a range of styles, incorporating a street and pop aesthetic into a fine art approach.

Signed & Numbered by the artist.

‘Wanna Get Out Of Jail Free?’ is a Limited Edition Print, hand finished by contemporary artist, Gavin Mitchell.

A Limited Edition Print of 50
Signed & Numbered by the Artist

An edition available in two sizes.

Large Format – An Edition of 20
Pigment Print with hand applied acrylic UV varnish on paper, hand finished with Gold Leaf & Metal Leaf

Size: 140x94cm

Price: £1500 unframed

Medium Format – A Combined Edition of 30
Pigment Print with hand applied acrylic UV varnish on paper

(This size is also available as a special edition, hand finished with gold and metal leaf.)

Size: 102x70cm

Price: £700 | £1000 unframed

‘Centrefold’ is a Limited Edition Print, hand finished by contemporary artist, Gavin Mitchell.

A Limited Edition Print of 50
Signed & Numbered by the Artist

An edition available in two sizes.

Large Format – An Edition of 20
Pigment Print with hand applied acrylic UV varnish on paper, hand finished with Gold Leaf & Metal Leaf

Size: 140x94cm

Price: £1500 unframed

Medium Format – A Combined Edition of 30
Pigment Print with hand applied acrylic UV varnish on paper

(This size is also available as a special edition, hand finished with gold and metal leaf.)

Size: 102x70cm

Price: £700 | £1000 unframed

‘Monster Book For Girls’ is a Limited Edition Print, hand finished by contemporary artist, Gavin Mitchell.

A Limited Edition Print of 50
Signed & Numbered by the Artist

An edition available in two sizes.

Large Format – An Edition of 20
Pigment Print with hand applied acrylic UV varnish on paper, hand finished with Gold Leaf & Metal Leaf

Size: 94x140cm

Price: £1500 unframed

Medium Format – A Combined Edition of 30
Pigment Print with hand applied acrylic UV varnish on paper

(This size is also available as a special edition, hand finished with gold and metal leaf.)

Size: 70x102cm

Price: £700 | £1000 unframed

‘Ascension’ is a striking Limited Edition Silkscreen print by contemporary artist Joe Webb.

Size: 50x64cm
Price: £195

This contemporary piece of art is a Silkscreen print on Naturalis Matt 330gsm paper.

Limited Edition of 100. Signed and numbered by the artist.

The work of artist Joe Webb sees a return to ‘analogue methods’ in beautifully retro style. Opting for painstakingly crafted collage techniques Joe Webb’s work is reminiscent of early Paolozzi, layering together found images and photographs from vintage magazines to create surreal and often esoteric prints.

‘In The Sky With Diamonds’ is a striking Limited Edition Silkscreen print by contemporary artist Joe Webb.

Size: 60x47cm
Price: £195

This contemporary piece of art is a Silkscreen print on Naturalis Matt 330gsm paper.

Limited Edition of 125. Signed and numbered by the artist.

The work of artist Joe Webb sees a return to ‘analogue methods’ in beautifully retro style. Opting for painstakingly crafted collage techniques Joe Webb’s work is reminiscent of early Paolozzi, layering together found images and photographs from vintage magazines to create surreal and often esoteric prints.

‘Gone Fishing’ is a striking Limited Edition Silkscreen print by contemporary artist Joe Webb.

Size: 50x64cm
Price: £225

This contemporary piece of art is a Silkscreen print on Naturalis Matt 330gsm paper.

Limited Edition of 85. Signed and numbered by the artist.

The work of artist Joe Webb sees a return to ‘analogue methods’ in beautifully retro style. Opting for painstakingly crafted collage techniques Joe Webb’s work is reminiscent of early Paolozzi, layering together found images and photographs from vintage magazines to create surreal and often esoteric prints.

‘Super Conductor III’ is a striking Limited Edition Silkscreen print on silver paper by contemporary artist Joe Webb.

Size: 50x64cm
Price: £175

This contemporary piece of art is a Silkscreen print on Peregrina Majestic Real Silver 250gsm paper.

Limited Edition of 100. Signed and numbered by the artist.

The work of artist Joe Webb sees a return to ‘analogue methods’ in beautifully retro style. Opting for painstakingly crafted collage techniques Joe Webb’s work is reminiscent of early Paolozzi, layering together found images and photographs from vintage magazines to create surreal and often esoteric prints.

An original collage by Gavin Mitchell.

Size: 22.5x30cm framed

Price: £750 framed

Original collage with vintage photograph and stamp.

This original artwork by Gavin Mitchell is part of the ‘Different Persona’ collection.

An original collage by Gavin Mitchell.

Size: 22.5x30cm framed

Price: £750 framed

Original collage with vintage photograph and stamp.

This original artwork by Gavin Mitchell is part of the ‘Different Persona’ collection.

An original collage by Gavin Mitchell.

Size: 22.5x30cm framed

Price: £750 framed

Original collage with vintage photograph and stamp.

This original artwork by Gavin Mitchell is part of the ‘Different Persona’ collection.

An original collage by Gavin Mitchell.

Size: 22.5x30cm framed

Price: £750 framed

Original collage with vintage photograph and stamp.

This original artwork by Gavin Mitchell is part of his ‘Different Persona’ collection.

‘Vaudeville 3’ is a wonderful piece of assemblage art by contemporary artist Claire Newman-Williams.

Size: 24.5×11.5x3cm

Price: £600

Mixed Media Assemblage Box

Combining original photographic images, usually portraits that Claire Newman-Williams creates with old cameras and alternative processes, with found objects. She creates collages layered and arranged in antique wooden boxes. These Story Boxes are intended to be like inner landscapes, addressing the recurrent themes of the smothering of identity and our fear of being seen – truly seen by those around us.

Claire Newman-Williams sources the boxes themselves from auctions and house clearances and the contents of the box are the ephemera of everyday life, the junk that others throw away: old book covers, flakes of old textured paint, strips of leather, old nails, snippets of newspaper from years past. Vintage glass slide casings cover the photographic portraits giving the viewer the impression that they are being looked at from behind a window. The viewer becomes the viewed.

‘Vaudeville 2’ is a wonderful piece of assemblage art by contemporary artist Claire Newman-Williams.

Size: 11x21x5.5cm

Price: £600

Mixed Media Assemblage Box

Combining original photographic images, usually portraits that Claire Newman-Williams creates with old cameras and alternative processes, with found objects. She creates collages layered and arranged in antique wooden boxes. These Story Boxes are intended to be like inner landscapes, addressing the recurrent themes of the smothering of identity and our fear of being seen – truly seen by those around us.

Claire Newman-Williams sources the boxes themselves from auctions and house clearances and the contents of the box are the ephemera of everyday life, the junk that others throw away: old book covers, flakes of old textured paint, strips of leather, old nails, snippets of newspaper from years past. Vintage glass slide casings cover the photographic portraits giving the viewer the impression that they are being looked at from behind a window. The viewer becomes the viewed.

‘Specimen’ is a wonderful piece of assemblage art by contemporary artist Claire Newman-Williams.

Size: 53x40x8.5cm

Price: £1200

Mixed Media Assemblage Box

Combining original photographic images, usually portraits that Claire Newman-Williams creates with old cameras and alternative processes, with found objects. She creates collages layered and arranged in antique wooden boxes. These Story Boxes are intended to be like inner landscapes, addressing the recurrent themes of the smothering of identity and our fear of being seen – truly seen by those around us.

Claire Newman-Williams sources the boxes themselves from auctions and house clearances and the contents of the box are the ephemera of everyday life, the junk that others throw away: old book covers, flakes of old textured paint, strips of leather, old nails, snippets of newspaper from years past. Vintage glass slide casings cover the photographic portraits giving the viewer the impression that they are being looked at from behind a window. The viewer becomes the viewed.

‘Pheasant Girl’ is a wonderful piece of assemblage art by contemporary artist Claire Newman-Williams.

Size: 30×21.5x4cm

Price: £600

Mixed Media Assemblage Box

Combining original photographic images, usually portraits that Claire Newman-Williams creates with old cameras and alternative processes, with found objects. She creates collages layered and arranged in antique wooden boxes. These Story Boxes are intended to be like inner landscapes, addressing the recurrent themes of the smothering of identity and our fear of being seen – truly seen by those around us.

Claire Newman-Williams sources the boxes themselves from auctions and house clearances and the contents of the box are the ephemera of everyday life, the junk that others throw away: old book covers, flakes of old textured paint, strips of leather, old nails, snippets of newspaper from years past. Vintage glass slide casings cover the photographic portraits giving the viewer the impression that they are being looked at from behind a window. The viewer becomes the viewed.

A stunning original work by Rod McIntosh

Size: 80cm diameter

Price: £2400

Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, charcoal paste, gesso, matt varnish and 24 carat gold leaf on bole.

From Rod McIntosh’s ‘Eccentric Moments’ Series.

Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.

“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”

A stunning original work by Rod McIntosh

Size: 100cm diameter

Price: £3600

Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, gesso, matt varnish.

From Rod McIntosh’s ‘Eccentric Moments’ Series.

Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.

“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”

A stunning original work by Rod McIntosh

Size: 100cm diameter

Price: £3600

Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, gesso, matt varnish and 24 carat gold leaf on bole.

From Rod McIntosh’s ‘Eccentric Moments’ Series.

Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.

“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”

A stunning original work by Rod McIntosh

Size: 100cm diameter

Price: £3600

Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, gesso, matt varnish and 24 carat gold leaf on bole.

From Rod McIntosh’s ‘Eccentric Moments’ Series.

Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.

“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”

A stunning original work by Rod McIntosh

Size: 120cm diameter

Price: £4800

Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, charcoal paste, gesso, matt varnish and 24 carat gold leaf on bole.

From Rod McIntosh’s ‘Eccentric Moments’ Series.

Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.

“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”

A stunning original work by Rod McIntosh

Size: 120cm diameter

Price: £4800

Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, charcoal paste, gesso, matt varnish and 24 carat gold leaf on bole.

From Rod McIntosh’s ‘Eccentric Moments’ Series.

Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.

“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”

A stunning original work by Rod McIntosh

Size: 120cm diameter

Price: £4800

Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, gesso, matt varnish and 24 carat gold leaf on bole.

From Rod McIntosh’s ‘Eccentric Moments’ Series.

Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.

“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”

A stunning original work by Rod McIntosh

Size: 120cm diameter

Price: £4800

Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, gesso, matt varnish and 24 carat gold leaf on bole.

From Rod McIntosh’s ‘Eccentric Moments’ Series.

Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.

“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”

A stunning original work by Rod McIntosh

Size: 100cm diameter

Price: £4000

Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, gesso, matt varnish and 24 carat gold leaf on bole.

From Rod McIntosh’s ‘Eccentric Moments’ Series.

Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.

“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”

A stunning original work by Rod McIntosh

Size: 120cm diameter

Price: £4800

Indian ink on Chinese mulberry paper, mounted to Fabriano cartridge (120gsm) on panel, charcoal paste, matt varnish. 24 carat gold leaf on bole.

From Rod McIntosh’s ‘Eccentric Moments’ Series.

Rod McIntosh’s current work is in the tradition of drawing, following traditional eastern ink recipes on delicate Chinese papers. His mark-making is a process guided by mindfulness, each fluid movement with his brush is connected to his body and breath in a manner of meditation. Being an artist, for Rod, is not just about being defined by the time and work created in the studio and the bricks and mortar of a studio, it is an all-encompassing part of who he is and vital to who he is. These rituals, these activities are the pillars to support that creativity and well-being. He speaks of his works as; “Physical meditations, that offers himself, and the viewer, a moment to pause.” The muted, monotone palette of his striking, minimalist works echo the quiet and calm meditative state that is so integral to his process.

“The black and white mark is an original ink painting created with one single gestural flow that I have rehearsed, choreographed, embodying the movement of my feet, arms, whole body and the brush whilst registering the breath; the inhale/exhale. After a time, when I feel I am in the flow and the mark is good to be seen, I use an ink and water solution to see what the movement I have registered to muscle memory looks like. Any revisions to the movement can be made and the image is discarded or wiped away. Again I will practice the mark with a wet brush as it behaves/feels differently to dry brush. And only when I feel confident, present in the moment do I dip the brush into the full ink solution and make the mark. You get one chance to record the moment.”

‘Happy Nations Have No History (Camo 2)’ is a brand new unique silkscreen print by Magnus Gjoen.

2018

Size: 100x100cm

Price: £2,000

Limited Edition Unique Print with Archival Pigment Inks & Silkscreen Spot Varnish on Cotton Rag Paper.

This brand new work by Magnus Gjoen is from an edition of 25 unique colourways. Each is completely individual.

Magnus Gjoen, former designer for Vivienne Westwood, creates images that are full beauty but also thought provoking. His art explores the interaction between power and fragility, juxtaposing the two states for maximum conceptual effect. Magnus Gjoen’s work blends a range of styles, incorporating a street and pop aesthetic into a fine art approach.

Signed & Numbered by the artist.

‘Happy Nations Have No History (Yellow Orange)’ is a brand new unique silkscreen print by Magnus Gjoen.

2018

Size: 100x100cm

Price: £1,850

Limited Edition Unique Print with Archival Pigment Inks & Silkscreen Spot Varnish on Cotton Rag Paper.

This brand new work by Magnus Gjoen is from an edition of 25 unique colourways. Each is completely individual.

Magnus Gjoen, former designer for Vivienne Westwood, creates images that are full beauty but also thought provoking. His art explores the interaction between power and fragility, juxtaposing the two states for maximum conceptual effect. Magnus Gjoen’s work blends a range of styles, incorporating a street and pop aesthetic into a fine art approach.

Signed & Numbered by the artist.

‘Happy Nations Have No History (Acid Purple)’ is a brand new unique silkscreen print by Magnus Gjoen.

2018

Size: 100x100cm

Price: £1,850

Limited Edition Unique Print with Archival Pigment Inks & Silkscreen Spot Varnish on Cotton Rag Paper.

This brand new work by Magnus Gjoen is from an edition of 25 unique colourways. Each is completely individual.

Magnus Gjoen, former designer for Vivienne Westwood, creates images that are full beauty but also thought provoking. His art explores the interaction between power and fragility, juxtaposing the two states for maximum conceptual effect. Magnus Gjoen’s work blends a range of styles, incorporating a street and pop aesthetic into a fine art approach.

Signed & Numbered by the artist.

‘You’ll Miss Me When I’m Gone’ is a brand new Limited Edition print by Magnus Gjoen.

2018

Size: 70x70cm/50x50cm

Price: £600/£295

Limited Edition Print with Archival Pigment Inks on Cotton Rag Paper.

This limited edition print is available in two sizes: the first edition is 70x70cm and is an edition of 25. The second is 50x50cm and is an edition of 80.

Magnus Gjoen, former designer for Vivienne Westwood, creates images that are full beauty but also thought provoking. His art explores the interaction between power and fragility, juxtaposing the two states for maximum conceptual effect. Magnus Gjoen’s work blends a range of styles, incorporating a street and pop aesthetic into a fine art approach.

‘You’ll Miss Me When I’m Gone’ sees Gjoen’s unmissable, unique and striking style of working but sees him return to his characteristic weapon motif exploring how something potentially extremely destructive can be transformed into a beautiful and delicate work of art.

Signed & Numbered by the artist.

‘We The Living Are To Blame For The Painfulness Of Death’ is a brand new Limited Edition print by Magnus Gjoen.

2018

Size: 85x85cm/50x50cm

Price: £1,500/£300

Limited Edition Print with UV Inks & Liquid Silver Silk Screen on Cotton Rag Paper.

This limited edition print is available in two sizes: the first edition is 85x85cm and is an edition of 50. The second is 50x50cm and is an edition of 80.

Magnus Gjoen, former designer for Vivienne Westwood, creates images that are full beauty but also thought provoking. His art explores the interaction between power and fragility, juxtaposing the two states for maximum conceptual effect. Magnus Gjoen’s work blends a range of styles, incorporating a street and pop aesthetic into a fine art approach.

Signed & Numbered by the artist.

 

‘J’ayme à Jamais (I Love For Ever)’ is a brand new Limited Edition print by Magnus Gjoen.

2018

Size: 50x50cm

Price: £295

Limited Edition Print with Archival Pigment Inks on Cotton Rag Paper.

This piece is from a Limited Edition of 80.

Magnus Gjoen, former designer for Vivienne Westwood, creates images that are full beauty but also thought provoking. His art explores the interaction between power and fragility, juxtaposing the two states for maximum conceptual effect. Magnus Gjoen’s work blends a range of styles, incorporating a street and pop aesthetic into a fine art approach.

Signed & Numbered by the artist.

‘The Desire To Please’ is a limited edition print by contemporary artist, Gavin Mitchell.

Size: 64x100cm

Price: £2,200 framed

Pigment Print on Archival Fine Art Paper, Hand Finished with Gold Leaf & UV Protective Varnish

‘The Desire To Please’ is a Limited Edition of 5 and is part of the ‘East Meets West’ Series.

‘East Meets West’ is an ongoing collection of work using early 20th century Japanese postcards depicting the daily routine of a Geisha. Disrupting the inherent tranquillity and ethereality by juxtaposing Western iconic imagery and exposing the implied seductiveness behind these culture portrayals.

‘Playboy Playgirls’ is a limited edition print by contemporary artist, Gavin Mitchell.

Size: 124x104cm

Price: £4,400 framed

Pigment Print on Archival Fine Art Paper, Hand Finished with Gold Leaf & UV Protective Varnish

‘Playboy Playgirls is a Limited Edition of 3 and is part of the ‘East Meets West’ Series.

‘East Meets West’ is an ongoing collection of work using early 20th century Japanese postcards depicting the daily routine of a Geisha. Disrupting the inherent tranquillity and ethereality by juxtaposing Western iconic imagery and exposing the implied seductiveness behind these culture portrayals.

‘New Musical Express’ is a Limited Edition Photograph from contemporary artist & photographer Mark Vessey

2018

C-Type Photogrpahic Print on Cotton Rag Paper

Size: 80x80cm

Price: £575

Limited Edition of 50

Signed & numbered by the artist on an additional certificate.

‘Swatting’ is a Limited Edition Print, hand finished by contemporary artist, Gavin Mitchell.

2018

Size: 94x140cm / 70x102cm

Price: POA

A Limited Edition Print of 50
Signed & Numbered by the Artist

An edition available in two sizes.

Large Format – An Edition of 20
Hand finished with Gold Leaf & Metal Leaf
Pigment Print with hand applied acrylic UV varnish on paper.

Medium Format – An Edition of 30
Pigment Print with hand applied acrylic UV varnish on paper.

‘Immortal Salvation’ is a stunning Limited Edition print from contemporary artist Alexandra Gallagher.

Size: 128x128cm framed

Price: £1500

Print on 310gms 100% cotton rag paper, black frame and black mount.
Signed and numbered by the artist

Limited Edition of 3

Alexandra Gallagher’s surreal and bizarre works tell a story of imagination and thought which happen between the realms of memory as well as finding inspiration from her surrounds; fashion, design, music, culture as well as ‘people watching’.

‘When The Storm Came’ forms part of Gallagher’s ‘Bird with Birds’ Collection.

“I take influence from everything around me – like every artist. Fashion, design, other artists, music, culture, society etc. Everything I see, hear and talk about. It all influences what I do. From a short abstract conversation with a stranger, to memories I have as an individual… we all have a story to tell, something interesting that is unique to all of us. I love people watching; looking at people and seeing how I could translate that into a piece of art – from my own perspective.” -Alexandra Gallagher

‘Beyond The Veil Of Deception’ is a stunning Limited Edition print from contemporary artist Alexandra Gallagher.

Size: 128x128cm framed

Price: £1500 framed

Print on 310gms 100% cotton rag paper, black frame and black mount.
Signed and numbered by the artist

Limited Edition of 3

Alexandra Gallagher’s surreal and bizarre works tell a story of imagination and thought which happen between the realms of memory as well as finding inspiration from her surrounds; fashion, design, music, culture as well as ‘people watching’.

‘When The Storm Came’ forms part of Gallagher’s ‘Bird with Birds’ Collection.

“I take influence from everything around me – like every artist. Fashion, design, other artists, music, culture, society etc. Everything I see, hear and talk about. It all influences what I do. From a short abstract conversation with a stranger, to memories I have as an individual… we all have a story to tell, something interesting that is unique to all of us. I love people watching; looking at people and seeing how I could translate that into a piece of art – from my own perspective.” -Alexandra Gallagher

‘Many A True Word’ is a stunning Limited Edition print from contemporary artist Alexandra Gallagher.

Size: 128x128cm framed

Price: £1500 framed

Print on 310gms 100% cotton rag paper, black frame and black mount.
Signed and numbered by the artist

Limited Edition of 3

Alexandra Gallagher’s surreal and bizarre works tell a story of imagination and thought which happen between the realms of memory as well as finding inspiration from her surrounds; fashion, design, music, culture as well as ‘people watching’.

‘When The Storm Came’ forms part of Gallagher’s ‘Bird with Birds’ Collection.

“I take influence from everything around me – like every artist. Fashion, design, other artists, music, culture, society etc. Everything I see, hear and talk about. It all influences what I do. From a short abstract conversation with a stranger, to memories I have as an individual… we all have a story to tell, something interesting that is unique to all of us. I love people watching; looking at people and seeing how I could translate that into a piece of art – from my own perspective.” -Alexandra Gallagher

‘Vaudeville 2’ is a wonderful piece of assemblage art by contemporary artist Claire Newman-Williams.

Size: 9x9x9cm

Price: £390

Mixed Media Assemblage Illuminated Box

Claire Newman-Williams’ story boxes are intended to be like inner landscapes, addressing the recurrent themes of the smothering of identity and our fear of being seen – truly seen by those around us. Claire Newman-Williams sources the boxes themselves from auctions and house clearances and the contents of the box are her own photography.

“I found a box of old magic lantern slides encased in lovely old glass frames at an auction and they just captured my imagination. I began thinking of ways that I could illuminate them in a way that would re-create that sort of vignetted, almost cinematic effect that they would have had originally and came up with the idea of creating little boxes to put them in. Once I started taking the slides apart I realised I could use the vintage glass, print my own imagery on a transparent substrate, add in some diffusion and thus the illuminated boxes were born! The first boxes were made of mdf and painted, but then I saw some really beautiful walnut wood, thought it would look great and I’ve been using it ever since.”

‘Bunnykins’ is a wonderful piece of assemblage art by contemporary artist Claire Newman-Williams.

Size: 9x9x9cm

Price: £390

Mixed Media Assemblage Illuminated Box

Claire Newman-Williams’ story boxes are intended to be like inner landscapes, addressing the recurrent themes of the smothering of identity and our fear of being seen – truly seen by those around us. Claire Newman-Williams sources the boxes themselves from auctions and house clearances and the contents of the box are her own photography.

“I found a box of old magic lantern slides encased in lovely old glass frames at an auction and they just captured my imagination. I began thinking of ways that I could illuminate them in a way that would re-create that sort of vignetted, almost cinematic effect that they would have had originally and came up with the idea of creating little boxes to put them in. Once I started taking the slides apart I realised I could use the vintage glass, print my own imagery on a transparent substrate, add in some diffusion and thus the illuminated boxes were born! The first boxes were made of mdf and painted, but then I saw some really beautiful walnut wood, thought it would look great and I’ve been using it ever since.”

‘Lone Wolf II’ is a striking Original painting by contemporary artist, Dan Baldwin.

Size: 76x97cm

Price: POA

Acrylic on Linen

This piece of art is a signed Original Acrylic painting by Contemporary Artist, Dan Baldwin.

Dan Baldwin, described by Sir Alan Sugar as “one of the top five” artists in the country, uses his art to touch upon themes of love, philosophy, nostalgia, memory, innocence, life and death – universal themes in a constantly shifting climate. His work is spontaneous and energetic.

Dan Baldwin’s work is collected by Sir Ronald Cohen, Bernie Ecclestone, Petra Ecclestone, Jake Chapman, Shepard Fairey, Chris Packham, Jo Whiley, Liam Howlett, Maxim, Holly Willoughby, Allison Mosshart, The Kills and Damien Hirst.  It is held in the permanent collections of The Groucho Club, The Wellington, Café Royal and House of St. Barnabas Club.

‘Release’ is a striking Original painting by contemporary artist, Dan Baldwin.

Size: 152.5×152.5cm

Price: POA

Acrylic on Canvas

This piece of art is a signed Original Acrylic painting by Contemporary Artist, Dan Baldwin.

Dan Baldwin, described by Sir Alan Sugar as “one of the top five” artists in the country, uses his art to touch upon themes of love, philosophy, nostalgia, memory, innocence, life and death – universal themes in a constantly shifting climate. His work is spontaneous and energetic.

Dan Baldwin’s work is collected by Sir Ronald Cohen, Bernie Ecclestone, Petra Ecclestone, Jake Chapman, Shepard Fairey, Chris Packham, Jo Whiley, Liam Howlett, Maxim, Holly Willoughby, Allison Mosshart, The Kills and Damien Hirst.  It is held in the permanent collections of The Groucho Club, The Wellington, Café Royal and House of St. Barnabas Club.

‘Climate’ is a striking Original painting by contemporary artist, Dan Baldwin.

Size: 41x56cm

Price: POA

Acrylic on Linen

This piece of art is a signed Original Acrylic painting by Contemporary Artist, Dan Baldwin.

Dan Baldwin, described by Sir Alan Sugar as “one of the top five” artists in the country, uses his art to touch upon themes of love, philosophy, nostalgia, memory, innocence, life and death – universal themes in a constantly shifting climate. His work is spontaneous and energetic.

Dan Baldwin’s work is collected by Sir Ronald Cohen, Bernie Ecclestone, Petra Ecclestone, Jake Chapman, Shepard Fairey, Chris Packham, Jo Whiley, Liam Howlett, Maxim, Holly Willoughby, Allison Mosshart, The Kills and Damien Hirst.  It is held in the permanent collections of The Groucho Club, The Wellington, Café Royal and House of St. Barnabas Club.

‘Carnival’ is a striking Original painting by contemporary artist, Dan Baldwin.

Size: 152.5×152.5cm

Price: POA

Acrylic on Canvas with Gold Leaf

This piece of art is a signed Original Acrylic Painting with Gold Leaf by Contemporary Artist, Dan Baldwin.

Dan Baldwin, described by Sir Alan Sugar as “one of the top five” artists in the country, uses his art to touch upon themes of love, philosophy, nostalgia, memory, innocence, life and death – universal themes in a constantly shifting climate. His work is spontaneous and energetic.

Dan Baldwin’s work is collected by Sir Ronald Cohen, Bernie Ecclestone, Petra Ecclestone, Jake Chapman, Shepard Fairey, Chris Packham, Jo Whiley, Liam Howlett, Maxim, Holly Willoughby, Allison Mosshart, The Kills and Damien Hirst.  It is held in the permanent collections of The Groucho Club, The Wellington, Café Royal and House of St. Barnabas Club.

A stunning new work on Canvas by pop artist Brad Faine

Digital mono-print on stretched canvas with hand applied glazes & diamond dust.

2018

Size: 110x110cm

Price: £4500

Limited Edition of 5 & 1 Artist’s Proof

Signed by the Artist

New limited edition works by Brad Faine featuring diamond dusted text

A stunning new work on Canvas by pop artist Brad Faine

Digital mono-print on stretched canvas with hand applied glazes & diamond dust.

2018

Size: 110x110cm

Price: £4500

Limited Edition of 5 & 1 Artist’s Proof

Signed by the Artist

New limited edition works by Brad Faine featuring diamond dusted text

A stunning new work on Canvas by pop artist Brad Faine

Digital mono-print on stretched canvas with hand applied glazes & diamond dust.

2018

Size: 110x110cm

Price: £4500

Limited Edition of 5 & 1 Artist’s Proof

Signed by the Artist

Doors Of Perception are new limited edition works by Brad Faine featuring diamond dusted tarot symbols

“I have for a number of years thought that the Tarot might provide an interesting point of departure for a series of mono-prints. However, the motivation for the subject came from a director of one of the Martin Lawrence galleries in the USA, who said that a number of clients had asked if I had ever done anything on the Tarot. With the optimism of the uninformed, I purchased the ‘Rider Waite Tarot Deck’ and became fascinated by the titles and images of the Major and Minor Arcana and thought it might be interesting to replace them with famous classical and modern paintings. In addition, I investigated some of the symbolism associated with the Tarot and selected some of the of images Swords, Cups, Wands and Pentacles as well as the ouroboros and juxtaposed them with the card, using diamond dust.” – Brad Faine

A stunning new work on Canvas by pop artist Brad Faine

Digital mono-print on stretched canvas with hand applied glazes & diamond dust.

2018

Size: 110x110cm

Price: £4500

Limited Edition of 5 & 1 Artist’s Proof

Signed by the Artist

Doors Of Perception are new limited edition works by Brad Faine featuring diamond dusted tarot symbols

“I have for a number of years thought that the Tarot might provide an interesting point of departure for a series of mono-prints. However, the motivation for the subject came from a director of one of the Martin Lawrence galleries in the USA, who said that a number of clients had asked if I had ever done anything on the Tarot. With the optimism of the uninformed, I purchased the ‘Rider Waite Tarot Deck’ and became fascinated by the titles and images of the Major and Minor Arcana and thought it might be interesting to replace them with famous classical and modern paintings. In addition, I investigated some of the symbolism associated with the Tarot and selected some of the of images Swords, Cups, Wands and Pentacles as well as the ouroboros and juxtaposed them with the card, using diamond dust.” – Brad Faine

‘Day’ is an original mixed media piece by pop artist Simon Kirk.

Acrylic, Pencil, Collage, Ink, Spray, Paint, Image Transfer

102x152cm

Price: £1400

Simon Kirk’s art consists of layers of paint and collaged elements. He uses decollage techniques including cutting, tearing or sanding away parts of the built up surface image to reveal layers below.

His practice associates images and cut-up text that helps us view everyday life with fresh eyes.

“I am interested in narrative, specifically the ambiguous, subjective ‘hidden’ narrative where the story remains ambiguous and undeclared.” – Simon Kirk

Across his many styles of art, ranging from Fine Art Oil Paintings to Pop Art collage works, there is something for all tastes.

This piece is signed by the artist.

2018

Above The Clouds 9 is a Limited Edition Print from contemporary artist Gareth Hayward.

In Gareth Hayward’s Collection ‘Above The Clouds’ Gareth Hayward presents London’s architecture in a manner that makes the building itself the absolute focus, whiting out the background in a way that enforces the majesty of the buildings and their sheer size rising from the clouds. The monotone colour scheme creates and emphasises the dramatic nature of the buildings that are such an iconic part of London’s skyline.

A C-Type Photographic print available in two edition sizes.

Size 42×59.4cm is an edition of 50
Size 100x150cm is an edition of 10

Both editions are signed & numbered by the artist.

2018

Limited Edition C-Type Photographic Print mounted on aluminium with varnish and subframe

42x59.4cm / 100x150cm

‘Triple Word Score’ is a Limited Edition Print, hand finished by contemporary artist, Gavin Mitchell.

A Limited Edition Print of 50
Signed & Numbered by the Artist

An edition available in two sizes.

Large Format – An Edition of 20
Hand finished with Gold Leaf & Metal Leaf
Pigment Print with hand applied acrylic UV varnish on paper.

Medium Format – An Edition of 30
Pigment Print with hand applied acrylic UV varnish on paper.

2018

140x94cm / 102x70cm

Maunsell Fort, Shivering Sands is an original oil painting on canvas by landscape artist, Adrian Walker.

Oil on Canvas

2018

Size: 142x183cm

Price £5500

Signed by the artist.

“Maunsell Fort, Shivering Sands” celebrates the continuation of a long held fascination with the sea in all it’s infinite moods, which the artist has enjoyed concurrent to more overtly Norse based themes. This painting examines the fate of the noble structures left to rust away slowly far out at sea, some 14 miles from land. Maunsell forts, of which only a handful now remain, were designed as a first line of defence for the nation during WWII. Their 2-3 year tenure was brief although use was found for some of them as a base during the 60’s heyday of pirate radio. Sadly they have become too unsafe to visit any longer and eventually they will disappear altogether. This theme perfectly suits the strong sense of mystery which characterises many of the artist’s larger canvases.”

‘Pink Pearl’ is a stunning sculpture by contemporary artist Mark Beattie.

This original piece of art is made using pink neon & painted copper on an ash plinth.

With the neon works Mark Beattie hides the wires & the transformer for the light. Ensuring the viewer cannot see how it is being powered. All the copper is rolled by hand and made around the neon so each piece is unique.

The neon light compliments Mark Beattie’s sculptures, adding to the movement of a piece and catching the viewers eye.

2017

Sculpture

40x32x30cm

‘Love And Light’ is a striking Limited Edition Screen Print by contemporary artist, Dan Baldwin.

This piece of art is a signed limited edition screen print on Somerset Archive Cotton Rag Paper which comes from an edition of 50.

Dan Baldwin, described by Sir Alan Sugar as “one of the top five” artists in the country, uses his art to touch upon themes of love, philosophy, nostalgia, memory, innocence, life and death – universal themes in a constantly shifting climate. His work is spontaneous and energetic.

His work is collected by Sir Ronald Cohen, Bernie Ecclestone, Petra Ecclestone, Jake Chapman, Shepard Fairey, Chris Packham, Jo Whiley, Liam Howlett, Maxim, Holly Willoughby, Allison Mosshart, The Kills and Damien Hirst.  It is held in the permanent collections of The Groucho Club, The Wellington, Café Royal and House of St. Barnabas Club.

2018

Limited Edition

90x90cm

‘National Geographic’ is a Limited Edition Photograph from contemporary artist & photographer Mark Vessey

‘National Geographic’ is available in two edition sizes.

Size 92x80cm. Edition of 50

Size 126x110cm. Edition of 15

Both editions are signed & numbered by the artist on an additional certificate.

2018

Cotton Rag Photograph

‘Gobble Time’ is an original mixed media piece by pop artist Simon Kirk.

Simon Kirk’s art consists of layers of paint and collaged elements. He uses decollage techniques including cutting, tearing or sanding away parts of the built up surface image to reveal layers below.

His practice associates images and cut-up text that helps us view everyday life with fresh eyes.

“I am interested in narrative, specifically the ambiguous, subjective ‘hidden’ narrative where the story remains ambiguous and undeclared.” – Simon Kirk

Across his many styles of art, ranging from Fine Art Oil Paintings to Pop Art collage works, there is something for all tastes.

This piece is signed by the artist.

2018

Acrylic, Collage & Image Transfer

102x152cm

‘I Am Your Density’ is a stunning original painting from contemporary artist Adam Green.

This piece of original art is an acrylic painting on canvas.

“Painting is something that rules my everyday existence. An inescapably compulsive urge to work results in the marrying of the mundane and the domestic with dreams and images of the unattainable and the beautiful. Meditative detail-work lies on layers of thrown and trickled paint – a first chaos which is drawn into a cohesion by time-eked care and precision, hopefully resulting in a faint hum of both tension and mutual harmony between the two.

The overall result is a minutely hand-crafted pop art infused with a mysticism that works across planes, layers and unexpected depths and axes. Often, the familiar and the domestic verge on becoming objects of unknown power and meaning, with work that revels in processes and thrives on unthinking at itself and its audience”. – Adam Green

2018

Acrylic on Canvas

180x90cm

‘Elvis Gun…Cheque – Gold’ is a stunning 2 colour Limited Edition Screen Print, from pop artist Russell Marshall.

This eye catching silkscreen art in black and gold featuring the King’s very own Colt Python pistol and the cheque he cashed to pay for it…

This print features the King of rock and roll’s very own Colt Python gun which has been arranged to form a butterfly motif, on top of a copy of Elvis Presley’s cheque, complete with his signature and fingerprints. From a limited edition of 5 this is an excellent chance to have a slice of Presley’s history for yourself.

Limited Edition Silkscreen with 24ct Gold Leaf on Birch Plywood

126x111cm

A limited edition photograph of Emma Hack’s installation work with body paint.

Emma Hack follows her theme of flora and fauna to camouflage the human body with realistic paintings of flowers merging into the background behind.

Emma Hack draws inspiration from around the world, from Australian flora and fauna to Oriental influences.

“You can feel my work, it’s not just aesthetically lovely, it has a meaning, is beautifully executed and presented.”

This piece is from Emma Hack’s Collection ‘Chinoiserie’.

Available in four sizes.

1/1 – An edition of 1
Size 155x110cm
Price £8200

Special Edition – An edition of 3
Size 145x103cm
Price £5500

Large – An Edition of 10
Size 125x90cm
Price £4500

Small – An Edition of 1o
Size 85x63cm
Price £3500

2016

Digital Print

A limited edition photograph of Emma Hack’s installation work with body paint.

Emma Hack follows her theme of flora and fauna to camouflage the human body with realistic paintings of flowers merging into the background behind.

Emma Hack draws inspiration from around the world, from Australian flora and fauna to Oriental influences.

“You can feel my work, it’s not just aesthetically lovely, it has a meaning, is beautifully executed and presented.”

This piece is from Emma Hack’s Collection ‘Flight of Fancy’.

Available in four sizes.

1/1 – An edition of 1
Size 150x110cm
Price £6750

Special Edition – An edition of 3
Size 140x104cm
Price £5500

Large – An Edition of 10
Size 120x90cm
Price £4500

Small – An Edition of 1o
Size 80x60cm
Price £3500

2018

Digital Print

A limited edition photograph of Emma Hack’s installation work with body paint.

Emma Hack follows her theme of flora and fauna to camouflage the human body with realistic paintings of flowers merging into the background behind.

Emma Hack draws inspiration from around the world, from Australian flora and fauna to Oriental influences.

“You can feel my work, it’s not just aesthetically lovely, it has a meaning, is beautifully executed and presented.”

This piece is from Emma Hack’s Collection ‘Flight of Fancy’.

Available in four sizes.

1/1 – An edition of 1
Size 150x110cm
Price £6750

Special Edition – An edition of 3
Size 140x104cm
Price £5500

Large – An Edition of 10
Size 120x90cm
Price £4500

Small – An Edition of 10
Size 80x60cm
Price £3500

2018

Digital Print

A limited edition silkscreen print with gold leaf, embossing and diamond dust by legendary pop artist, Sir Peter Blake.

‘American Trilogy (Cream and Gold Diamond Dust)’ is a striking print featuring three American Icons: The Stars and Stripes of the American flag, Elvis Presley and Coca Cola. This classic pop art image by Peter Blake explores the power of mass consumer products and popular culture, and America’s leadership in 1950s mass culture revolution.

As part of a set of three, all finished with gold or silver leaf, this print echoes the concept of mass production in the Pop Art tradition. The repetition of slightly varied imagery is reminiscent of the work of Andy Warhol, echoing the ‘sameness’ of mass production.

A Limited Edition Print 9/150

Image Size 62.5×83.5cm

Paper Size 76x99cm

2012

Limited Edition Silkscreen Print with Gold Leaf and Diamond Dust

A Limited Edition Hand painted Mixed Media Screen print by figurative artist Rosie Emerson.

An Edition of 10, all unique.

Rosie Emerson’s prints are hand painted and hand finished, making each one unique. Each print is signed and numbered by Rosie Emerson.

2018

Hand painted charcoal and bronze powder screen print on 300gsm somerset satin printmaking paper

55x75cm

A Limited Edition Hand painted Mixed Media Screen print by figurative artist Rosie Emerson.

An Edition of 20, all unique.

Rosie Emerson’s prints are hand painted and hand finished, making each one unique. Each print is signed and numbered by Rosie Emerson.

2018

Charcoal Powder Screenprint on 280gsm Printmaking Paper

35x100cm

A Limited Edition Hand painted Mixed Media Screen print by figurative artist Rosie Emerson.

A Limted Edition of 14, all unique.

Rosie Emerson’s prints are hand painted and hand finished, making each one unique. Each print is signed and numbered by Rosie Emerson.

2018

Hand painted charcoal and bronze powder screenprint on Bockingford 300 gsm paper

56x76cm

A Limited Edition Hand painted Mixed Media Screen print by figurative artist Rosie Emerson.

A Limited Edition of 14, all unique.

Rosie Emerson’s prints are hand painted and hand finished, making each one unique. Each print is signed and numbered by Rosie Emerson.

2018

Hand painted charcoal and bronze powder screenprint on Bockingford 300 gsm paper

56x76cm

“One Day The Sun Will Kill Us All” by Joe Webb

An Edition of 75

2018

9 Colour Screenprint with Black Diamond Dust Overlay on GF Smith Colourplan Black 570gsm Paper

88x63cm

“Building Blocks” is a Limited Edition by Joe Webb

An Edition of 100

2018

Silkscreen print on Naturalis Matt 330gsm paper

50x64cm

“Transmission” is a limited Edition Silkscreen by Joe Webb

An Edition of 100

2018

Silkscreen print with Black Diamond Dust on Naturalis Matt 330gsm paper

50x64cm

An original artwork on found wood by graphic artist Lily Mixe.

The work of artist Lily Mixe is inspired by nature, in particular the ocean. Through her paintings and collage she is giving nature a voice and encouraging people to reconnect to the planet. To respect and show awareness to the natural world.

This painting is presented in a plywood box frame.

2017

Gouache & Ink on Plywood

86 x 86 cm

‘Red Scarf’ is a stunning bronze sculpture from artist Carol Peace.

Carol Peace first draws her subject, then models it in clay before casting the final product from a mould.

Peace often incorporates plants and animals in her work and says she’s inspired by humanity’s relationship with nature. “I want to encourage people to think, we’ve taken a lot from nature and maybe we need to give a bit back.”

 

Limited Edition of 14

155Hx100Wx46D cm

‘Falling II’ is a stunning Limited Edition Original Silkscreen print, from abstract artist Charlotte Cornish.

The main theme of Charlotte Cornish’s work is the nature of human experience. Creating tensions and harmonies through colour and form, Charlotte Cornish aims to communicate a sense of what it feels like to be alive.

Charlotte Cornish striking abstract art prints are all Limited Edition Original Prints. Each print has been made from a series of her own hand painted stencils, one for each colour printed. The resulting image exists only in its printed form, meaning there is no ‘original’ from which the print has been copied. Charlotte Cornish makes prints using a range of printmaking techniques, mainly screen printing, but also etching.

Limited Edition Original Print of 125

54x76cm